Radha Dalal is Interim Director of Art History and Associate Professor of Islamic Art at Virginia Commonwealth University School of the Arts in Qatar. She researches visual cultures of mobility and urbanism with a particular emphasis on the Ottoman Empire and its socio-political interactions with other European and Asian polities during the 19th and early 20th centuries. She recently completed a major Qatar National Priorities Research project titled Museums in the 21st Century and Global Art History. She has served since 2016 as a member of the College Art Association’s Diversity Committee. Dalal is a grant recipient of Virginia Commonwealth University’s Presidential Research Quest Fund for her current book project titled The Khilafat Movement and Print Media in British India and Ottoman Turkey, 1919-1924.
Jochen Sokoly is Associate Professor of Art History of the Islamic World at Virginia Commonwealth University School of the Arts in Qatar (VCUarts Qatar). He was recently elected as board member of the Council of the Royal Asiatic Society, London. As Gallery Director at VCUarts Qatar between 2004-2011 he curated exhibitions on contemporary art of the Middle East and lectures on the art of the Islamic World. He has been a research fellow at the Metropolitan Museum of Art and the Royal Ontario Museum and has worked as a UNESCO curatorial consultant for the Al-Sabah Collection, Kuwait National Museum. Sokoly’s research focuses on the culture of the Early Islamic caliphates, in particular on inscribed textiles within the context of court, administration and manufacture. More recently he has also worked on 18th century British India, particularly botanical paintings by the Indian painter Zayn al-Din from the collection of Sanskrit scholar Sir William Jones at the Royal Asiatic Society, and plans a study of the drawings of travelers Thomas and William Daniell.
Sean Roberts is a Lecturer in Early Modern Art at the University of Tennessee and Affiliated Associate Professor at VCUarts Qatar. His research is concerned with the interactions between Italy and the Islamic lands, the cultural history of maps, and with the place of prints in the histories of art and technology. He is the author of Printing a Mediterranean World: Florence, Constantinople and the Renaissance of Geography (Harvard University Press, 2013) and is the co-editor of Visual Cultures of Secrecy in Early Modern Europe (Truman State University Press, 2013) and The Seas and the Mobility of Islamic Art (Yale University Press, 2021). His essays have appeared in numerous journals including Imago Mundi, Print Quarterly, Renaissance Studies, and the Journal of Early Modern History. He has been awarded research fellowships from the Center for Advanced Study in the Visual Arts (CASVA), the Huntington Library, and Villa I Tatti. From 2017 to 2019, Roberts served as President of the Italian Art Society, an international non-profit organization dedicated to the study of Italian art and architecture from pre-history to the present day.